Ramesses II commonly known as Ramesses the Great, was an Egyptian pharaoh. He was the third ruler of the Nineteenth Dynasty. Along with Thutmose III of the Eighteenth Dynasty, he is often regarded as the greatest, most celebrated, and most powerful pharaoh of the New Kingdom, which itself was the most powerful period of ancient Egypt. He is also widely considered one of ancient Egypt’s most successful warrior pharaohs, conducting no fewer than 15 military campaigns, all resulting in victories, excluding the Battle of Kadesh, generally considered a stalemate. read more…
Vitruvius was a Roman architect and engineer during the 1st century BC, known for his multi-volume work titled De architectura. As the only treatise on architecture to survive from antiquity, it has been regarded since the Renaissance as the first book on architectural theory, as well as a major source on the canon of classical architecture. It is not clear to what extent his contemporaries regarded his book as original or important. read more…
Confucius, born Kong Qiu, was a Chinese philosopher of the Spring and Autumn period who is traditionally considered the paragon of Chinese sages, as well as the first teacher in China to advocate for mass education. Much of the shared cultural heritage of the Sinosphere originates in the philosophy and teachings of Confucius. His philosophical teachings, called Confucianism, emphasized personal and governmental morality, harmonious social relationships, righteousness, kindness, sincerity, and a ruler’s responsibilities to lead by virtue. read more…
Caspar David Friedrich was a German Romanticlandscape painter, generally considered the most important German artist of his generation. He is best known for his allegorical landscapes, which typically feature contemplative figures silhouetted against night skies, morning mists, barren trees or Gothic ruins. His primary interest was the contemplation of nature, and his often symbolic and anti-classical work seeks to convey a subjective, emotional response to the natural world. Friedrich’s paintings characteristically set a human presence in diminished perspective amid expansive landscapes, reducing the figures to a scale that, according to the art historian Christopher John Murray, directs “the viewer’s gaze towards their metaphysical dimension”. read more…