Mercado Central or Mercat Central (English: Central Market) is a public market located across from the Llotja de la Seda and the Church of Santos Juanes in central Valencia, Spain. It is one of the main works of the Valencian Art Nouveau. Most vendors sell food items, although souvenir shops and restaurants are located inside the market as well. It is a popular location for tourists and locals alike. read more…
Between 1900 and 1913, Hector Guimard was responsible for the first generation of entrances to the underground stations of the Paris Métro. His Art Nouveau designs in cast iron and glass dating mostly to 1900, and the associated lettering that he also designed, created what became known as the Métro style (style Métro) and popularized Art Nouveau. However, arbiters of style were scandalized and the public was also less enamored of his more elaborate entrances. In 1904 his design for the Opéra station at Place de l’Opéra was rejected and his association with the Métro ended; many of his station entrances have been demolished, including all three of the pavilion type (at Bastille and on Avenue de Wagram at Étoile). Those that remain are now all protected historical monuments, one has been reconstituted, and some originals and replicas also survive outside France. read more…
Mondello is a small borough of the city of Palermo in the autonomous region of Sicily in Southern Italy. Its beach lies between two cliffs called Mount Gallo and Mount Pellegrino. The town was originally a small fishing village situated on marshland, but at the end of the 19th century it grew into a tourist destination. A number of Liberty style villas on the seafront promenade have made it one of the gems of Art Nouveau in Europe. read more…
The Arts and Crafts movement was an international movement in the decorative and fine arts that began in Britain and flourished in Europe and North America between about 1880 and 1920, emerging in Japan (the Mingei movement) in the 1920s. It stood for traditional craftsmanship using simple forms, and often used medieval, romantic, or folk styles of decoration. It advocated economic and social reform and was essentially anti-industrial. It had a strong influence on the arts in Europe until it was displaced by Modernism in the 1930s, and its influence continued among craft makers, designers, and town planners long afterwards. The term was first used by T. J. Cobden-Sanderson at a meeting of the Arts and Crafts Exhibition Society in 1887, although the principles and style on which it was based had been developing in England for at least twenty years. It was inspired by the ideas of architect Augustus Pugin, writer John Ruskin, and designer William Morris. The movement developed earliest and most fully in the British Isles, and spread across the British Empire and to the rest of Europe and North America. It was largely a reaction against the perceived impoverished state of the decorative arts at the time and the conditions in which they were produced. read more…
Berlin’s Hackesche Höfe (Hof means courtyard) – just off S-Bahn Station Hackescher Markt, is a heritage site consisting of eight communicating, restored rear courtyards accessible through Rosenthalerstrasse 40’s main arched entrance. The area, also known as the Scheunenviertel is one of Berlin’s top entertainment hubs, popular with Berliners and visitors alike and a magnet for club-goers since the 1990’s. read more…
