Wassily Wassilyevich Kandinsky was a Russian painter and art theorist. Kandinsky is generally credited as the pioneer of abstract art. Born in Moscow, Kandinsky spent his childhood in Odessa (today Ukraine), where he graduated at Grekov Odessa Art school. He enrolled at the University of Moscow, studying law and economics. Successful in his profession—he was offered a professorship (chair of Roman Law) at the University of Dorpat (today Tartu, Estonia)—Kandinsky began painting studies (life-drawing, sketching and anatomy) at the age of 30. read more…
Paul Klee was a Swiss-born German artist. His highly individual style was influenced by movements in art that included expressionism, cubism, and surrealism. Klee was a natural draftsman who experimented with and eventually deeply explored color theory, writing about it extensively; his lectures Writings on Form and Design Theory (Schriften zur Form und Gestaltungslehre), published in English as the Paul Klee Notebooks, are held to be as important for modern art as Leonardo da Vinci‘s A Treatise on Painting for the Renaissance. He and his colleague, Russian painter Wassily Kandinsky, both taught at the Bauhaus school of art, design and architecture in Germany. His works reflect his dry humor and his sometimes childlike perspective, his personal moods and beliefs, and his musicality. read more…
The Bauhaus Archive (German: Bauhaus-Archiv) is a state archive and Museum of Design located in Berlin. It collects art pieces, items, documents and literature which relate to the Bauhaus School (1919–1933), and puts them on public display. Currently, the museum is closed due to construction works and will reopen in 2022. It has a temporary space at Knesbeckstr. 1-2 in Berlin-Charlottenburg. read more…
The Arts and Crafts movement was an international movement in the decorative and fine arts that began in Britain and flourished in Europe and North America between about 1880 and 1920, emerging in Japan (the Mingei movement) in the 1920s. It stood for traditional craftsmanship using simple forms, and often used medieval, romantic, or folk styles of decoration. It advocated economic and social reform and was essentially anti-industrial. It had a strong influence on the arts in Europe until it was displaced by Modernism in the 1930s, and its influence continued among craft makers, designers, and town planners long afterwards. The term was first used by T. J. Cobden-Sanderson at a meeting of the Arts and Crafts Exhibition Society in 1887, although the principles and style on which it was based had been developing in England for at least twenty years. It was inspired by the ideas of architect Augustus Pugin, writer John Ruskin, and designer William Morris. The movement developed earliest and most fully in the British Isles, and spread across the British Empire and to the rest of Europe and North America. It was largely a reaction against the perceived impoverished state of the decorative arts at the time and the conditions in which they were produced. read more…
Berlin Modernism Housing Estates (German: Siedlungen der Berliner Moderne) are an ensemble of six subsidized housing estates from the early 20th century, listed as a UNESCO World Heritage Site. Dating mainly from the years of the Weimar Republic (1919–1933), when the city of Berlin was particularly progressive socially, politically and culturally, they are outstanding examples of the building reform movement that contributed to improving housing and living conditions for people with low incomes through novel approaches to architecture and urban planning. The estates also provide exceptional examples of new urban and architectural typologies, featuring fresh design solutions, as well as technical and aesthetic innovations. read more…
Staatliches Bauhaus, commonly known simply as Bauhaus, was an art school in Germany that combined crafts and the fine arts, and was famous for the approach to design that it publicized and taught. It operated from 1919 to 1933. At that time the German term Bauhaus – literally “house of construction” – was understood as meaning “School of Building”. read more…
The White City refers to a collection of previously over 4,000 Bauhaus or International style buildings built in Tel Aviv from the 1930s by German Jewish architects who immigrated to the British Mandate of Palestine after the rise of the Nazis (Transfer Agreement/Haavara Agreement). Tel Aviv houses the largest ensemble of Bauhaus-style buildings in the world. Preservation, documentation, and exhibitions have brought attention to Tel Aviv’s collection of 1930s architecture. In 2003, the UNESCO proclaimed Tel Aviv’s White City a World Cultural Heritage site, as “an outstanding example of new town planning and architecture in the early 20th century.” The citation recognized the unique adaptation of modern international architectural trends to the cultural, climatic, and local traditions of the city. The Bauhaus Center in Tel Aviv organises regular architectural tours of the city. read more…
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