Rededicated in 2010 after a decade-long renovation, it is the religious and cultural centre of the local Jewish community, under the auspices of the Union of Jewish Religious Communities in Poland. It is the only Conservative Jewish synagogue in Wroc?aw to have survived during the Holocaust.
The synagogue, which opened in 1829 when the city was known as Breslau and part of the Kingdom of Prussia, is a three-story Neoclassical designed by the architect Carl Ferdinand Langhans (1781–1869). Langhans was one of the foremost 19th-century architects of Silesia. He was among Germany’s foremost theater designers. He also designed the Breslau Actors’ Guild Theater and Opera House. The original interior, now lost, was designed by the painter Raphael Biow (1771–1836) and his son Hermann Biow (1804–1850). The name was taken from an inn of the same name which had previously stood on the site.
The main prayer hall is surrounded on three sides with women’s galleries. Two levels of galleries to the north and two on the south flank a single gallery on the eastern Torah ark wall. The wooden frame of the Torah ark and the damaged tablets of the Ten Commandments are all that remain of the original religious features.
During the Kristallnacht the interior of the building was destroyed by the Sturmabteilung who also tore up the Torah scrolls. On the same night, the New Synagogue, which served the city’s Liberal community was burned to the ground by the Nazi paramilitary groups. The White Stork synagogue, which at the time served Conservative Jews escaped that fate, because it was located close to other buildings and the participants in the pogrom were concerned that any fire would spread to non-Jewish structures.
The synagogue was renovated by the city’s Jewish community and became a place of worship for Jews of all sects until 1943. In that year, the Nazis took over the building and turned it into a warehouse for stolen Jewish property. The city’s Jewish inhabitants were rounded up and sent to death camps, with the synagogue’s courtyard serving as a collection point, in the same way as Umschlagplatz in Warsaw.
After the war, the city’s Polish authorities turned over the building to the new Jewish community in the city. It functioned as both a community center and a place of worship, despite underfunding, the emigration of Wroclaw’s Jews abroad, and repeated vandalism by so-called “unknown perpetrators” (“nieznani sprawcy” a Communist era Polish code word for individuals committing crimes on behalf of the secret communist police). After the 1968 Polish political crisis, which saw a Communist-sponsored anti-Semitic campaign, most of the city’s Jews left Poland and shortly thereafter, religious ceremonies in the synagogue were suspended.
The synagogue was in use until 1974, when the authorities expropriated it and gave it to the University of Wroc?aw, which used it as a library. In 1989, the university transferred the building to the Musical Academy. It was purchased by a private firm in 1995.
