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Sigiriya in Sri Lanka

Saturday, 28 November 2020 - 11:00 am (CET/MEZ) Berlin | Author/Destination: Asia / Asien
Category/Kategorie: General, UNESCO World Heritage Reading Time:  10 minutes

🔊 Listen to this Post Sigiriya or Sinhagiri (Lion Rock) is an ancient rock fortress located in the northern Matale District near the town of Dambulla in the Central Province, Sri Lanka. The name refers to a site of historical and archaeological significance that is dominated by a massive column of rock nearly 200 metres (660 ft) high. According to the ancient Sri Lankan chronicle the Culavamsa, this site was selected by King Kashyapa (477 – 495 CE) for his new capital. He built his palace on the top of this rock and decorated its sides with colourful frescoes. On a small plateau about halfway up the side of this rock he built a gateway in the form of an enormous lion. The name of this place is derived from this structure — Sīnhāgiri, the Lion Rock (an etymology similar to Sinhapura, the Sanskrit name of Singapore, the Lion City). The capital and the royal palace was abandoned after the king’s death. It was used as a Buddhist monastery until the 14th century. Sigiriya today is a UNESCO listed World Heritage Site. It is one of the best preserved examples of ancient urban planning.

Sigiriya is considered to be one of the most important urban planning sites of the first millennium, and the site plan is considered very elaborate and imaginative. The plan combined concepts of symmetry and asymmetry to intentionally interlock the man-made geometrical and natural forms of the surroundings. On the west side of the rock lies a park for the royals, laid out on a symmetrical plan; the park contains water-retaining structures, including sophisticated surface/subsurface hydraulic systems, some of which are working today. The south contains a man-made reservoir; these were extensively used from the previous capital of the dry zone of Sri Lanka. Five gates were placed at entrances. The more elaborate western gate is thought to have been reserved for the royals.

John Still in 1907 wrote, “The whole face of the hill appears to have been a gigantic picture gallery… the largest picture in the world perhaps”. The paintings would have covered most of the western face of the rock, an area 140 metres long and 40 metres high. There are references in the graffiti to 500 ladies in these paintings. However, most have been lost forever. More frescoes, different from those on the rock face, can be seen elsewhere, for example on the ceiling of the location called the “Cobra Hood Cave”. Although the frescoes are classified as in the Anuradhapura period, the painting style is considered unique; the line and style of application of the paintings differing from Anuradhapura paintings. The lines are painted in a form which enhances the sense of volume of the figures. The paint has been applied in sweeping strokes, using more pressure on one side, giving the effect of a deeper colour tone towards the edge. Other paintings of the Anuradhapura period contain similar approaches to painting, but do not have the sketchy lines of the Sigiriya style, having a distinct artists’ boundary line. The true identity of the ladies in these paintings still have not been confirmed. There are various ideas about their identity. Some believe that they are the ladies of the kings while others think that they are women taking part in religious observances. These pictures have a close resemblance to paintings seen in the Ajanta Caves in India. Subjects of the Sigiriya frescoes paintings. These damsels have high foreheads shaping their faces with enticing doe eyes, a rose coloured blush on their cheeks and lips as lotus buds look down from the gallery where they reside. These lovely maidens wear blouses of the gossamer veil, the texture of which is silken cobwebs woven in the wind, seven layers of this diaphanous material is like evening dew on the grass and similar to running water.

Originally this wall was so highly polished that the king could see himself whilst he walked alongside it. Made of brick masonry and covered in highly polished white plaster, the wall is now partially covered with verses scribbled by visitors, some of them dating from as early as the 8th century. People of all types wrote on the wall, on varying subjects such as love, irony, and experiences of all sorts. Further writing on the mirror wall now has been banned for the protection of the old writings. The Archaeological Commissioner of Ceylon, Senarath Paranavithana, deciphered 685 verses written in the 8th, 9th and 10th centuries CE on the mirror wall. One such poem from these long-past centuries, roughly translated from Sinhala, is: “I am Budal [the writer’s name]. Came with hundreds of people to see Sigiriya. Since all the others wrote poems, I did not!”

The Gardens of the Sigiriya city are one of the most important aspects of the site, as it is among the oldest landscaped gardens in the world. The gardens are divided into three distinct but linked forms: water gardens, cave and boulder gardens, and terraced gardens.

The water gardens can be seen in the central section of the western precinct. Three principal gardens are found here. The first garden consists of a plot surrounded by water. It is connected to the main precinct using four causeways, with gateways placed at the head of each causeway. This garden is built according to an ancient garden form known as char bagh, and is one of the oldest surviving models of this form. The second contains two long, deep pools set on either side of the path. Two shallow, serpentine streams lead to these pools. Fountains made of circular limestone plates are placed here. Underground water conduits supply water to these fountains which are still functional, especially during the rainy season. Two large islands are located on either side of the second water garden. Summer palaces are built on the flattened surfaces of these islands. Two more islands are located farther to the north and the south. These islands are built in a manner similar to the island in the first water garden. The third garden is situated on a higher level than the other two. It contains a large, octagonal pool with a raised podium on its northeast corner. The large brick and stone wall of the citadel is on the eastern edge of this garden. The water gardens are built symmetrically on an east-west axis. They are connected with the outer moat on the west and the large artificial lake to the south of the Sigiriya rock. All the pools are also interlinked using an underground conduit network fed by the lake, and connected to the moats. A miniature water garden is located to the west of the first water garden, consisting of several small pools and watercourses. This recently discovered smaller garden appears to have been built after the Kashyapan period, possibly between the 10th and 13th centuries.

The boulder gardens consist of several large boulders linked by winding pathways. The gardens extend from the northern slopes to the southern slopes of the hills at the foot of Sigiris rock. Most of these boulders had a building or pavilion upon them; there are cuttings that were used as footings for brick walls and beams. They were used to be pushed off from the top to attack enemies when they approached.

The terraced gardens are formed from the natural hill at the base of the Sigiriya rock. A series of terraces rises from the pathways of the boulder garden to the staircases on the rock. These have been created by the construction of brick walls, and are located in a roughly concentric plan around the rock. The path through the terraced gardens is formed by a limestone staircase. From this staircase, there is a covered path on the side of the rock, leading to the uppermost terrace where the lion staircase is situated.

Read more on Sigiriya.info, Wikivoyage Sigiriya and Wikipedia Sigiriya (Smart Traveler App by U.S. Department of State - Weather report by weather.com - Global Passport Power Rank - Travel Risk Map - Democracy Index - GDP according to IMF, UN, and World Bank - Global Competitiveness Report - Corruption Perceptions Index - Press Freedom Index - World Justice Project - Rule of Law Index - UN Human Development Index - Global Peace Index - Travel & Tourism Competitiveness Index). Photos by Wikimedia Commons. If you have a suggestion, critique, review or comment to this blog entry, we are looking forward to receive your e-mail at comment@wingsch.net. Please name the headline of the blog post to which your e-mail refers to in the subject line.

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