Palazzo Barberini in Rome

Wednesday, 17 March 2021 - 11:00 am (CET/MEZ) Berlin | Author/Destination:
Category/Kategorie: General, Museums, Exhibitions, Palaces, Castles, Manors, Parks
Reading Time:  4 minutes

© flickr.com - Jean-Pierre Dalbéra/cc-by-2.0

© flickr.com – Jean-Pierre Dalbéra/cc-by-2.0

The Palazzo Barberini (English: Barberini Palace) is a 17th-century palace in Rome, facing the Piazza Barberini in Rione Trevi. Today it houses the Galleria Nazionale d’Arte Antica, the main national collection of older paintings in Rome.

The palazzo is disposed around a forecourt centered on Bernini’s grand two-storey hall backed by an oval salone, with an extended wing dominating the piazza, which lies on a lower level. At the rear, a long wing protected the garden from the piazza below, above which it rose from a rusticated basement that was slightly battered like a military bastion. The main block presents three tiers of great arch-headed windows, like glazed arcades, a formula that was more Venetian than Roman. On the uppermost floor, Borromini’s windows are set in a false perspective that suggests extra depth, a feature that has been copied into the 20th century. Flanking the hall, two sets of stairs lead to the piano nobile, a large squared staircase by Bernini to the left and a smaller oval staircase by Borromini to the right.

Palazzo Barberini and Garden © flickr.com - Ernesto Paz Caínzos/cc-by-2.0 © flickr.com - Jean-Pierre Dalbéra/cc-by-2.0 © flickr.com - Jean-Pierre Dalbéra/cc-by-2.0 Galleria Nazionale d'Arte Antica sign © Mattes/cc-by-sa-3.0 © Krzysztof Golik/cc-by-sa-4.0 © Mallowtek/cc-by-sa-3.0
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Palazzo Barberini and Garden © flickr.com - Ernesto Paz Caínzos/cc-by-2.0
As well as Borromini’s false-perspective windows reveals, other influential aspects of Palazzo Barberini that were repeated throughout Europe include the unit of a central two-storey hall backed by an oval salone and the symmetrical wings that extended forward from the main block to create a cour d’honneur. The garden is known as a giardino segreto (“secret garden”), for its concealment from an outsider’s view. It houses a monument to Bertel Thorwaldsen, who had a studio in the nearby Teatro delle Quattro Fontane in 1822–1834.

The salon ceiling is graced by Pietro da Cortona‘s masterpiece, the Baroque fresco of the Allegory of Divine Providence and Barberini Power. This vast panegyric allegory became highly influential in guiding decoration for palatial and church ceilings; its influence can be seen in other panoramic scenes such as the frescoed ceilings at Sant’Ignazio (by Pozzo); or those at Villa Pisani at Stra, the throne room of the Royal Palace of Madrid, and the Ca’ Rezzonico in Venice (by Tiepolo). Also in the palace is a masterpiece by Andrea Sacchi, a contemporary critic of the Cortona style, Divine Wisdom. The rooms of the piano nobile have frescoed ceilings by other seventeenth-century artists like Giuseppe Passeri and Andrea Camassei, plus, in the museum collection, precious detached frescoes by Polidoro da Caravaggio and his lover Maturino da Firenze.

Read more on Palazzo Barberini and Wikipedia Palazzo Barberini (Smart Traveler App by U.S. Department of State - Weather report by weather.com - Global Passport Power Rank - Travel Risk Map - Democracy Index - GDP according to IMF, UN, and World Bank - Global Competitiveness Report - Corruption Perceptions Index - Press Freedom Index - World Justice Project - Rule of Law Index - UN Human Development Index - Global Peace Index - Travel & Tourism Competitiveness Index). Photos by Wikimedia Commons. If you have a suggestion, critique, review or comment to this blog entry, we are looking forward to receive your e-mail at comment@wingsch.net. Please name the headline of the blog post to which your e-mail refers to in the subject line.



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